Tuesday, February 15, 2011

Penumbra - Borealis

This one is maybe a bit autobiographical as I think somebody is trying to subconsciously influence me to write about numbers (perhaps) and I'm having none of it. So instead I'll write about shadows and eclipses and holidays.

When I was twelve I went to the South of France, to a villa esoterically addressed by my uncle as being in 'Campagne'. Since then I have realised that campagne means 'rural area' and that he was being flippant when he scribbled the directions down on paper. We wound on through the hills and the lanes and the fields until we ended up at this crumbly, dishevelled but glorious villa, an hour late, in the fading evening light. Somehow, the trees still glistened and the fields of sunflowers wobbled in the breeze as if there were a thousand tiny suns staying up late for our safe journey.

The villa cast this great shadow over the drive-way as we drove up, emphasising its rusty French beauty. Peeling paint, rusty hinges and missing pieces of stone made up the facade. It was inconsistent, and messy, and my first holiday home.

Our trip was a diversion, or should I say an extension, on a trip to Paris. A timely call from my uncle meant we finished up our Paris trip and hopped on a plane, tracing a trail down the curve of the Earth, to Bordeaux. From there, a train journey to Agen, and finally, a clueless tour of the countryside until we ended up near a place called Villeneuve-sur-Lot, named literally for being near the River Lot. Throughout all this our holiday was characterised by taxi-drivers happy to pretend they were lost to hapless English tourists (and mine and my sister's inability to decide whether gauche or droite was left or right made matters stickier).

So when we ended up in our villa, we were six hundred miles away from the total eclipse that was due to happen August 11, 1999. This meant that while my friends ventured down to Cornwall to peer at the weird, cold eclipse, me and my family stood around in swimming costumes on a scorching patio, trying to capture a glimpse of the sun with the help of a ping-pong bat. The crumbly villa walls were no use as they were full of shadows even in full sunlight.

Now, we do have some photos of the 'penumbra', the shadowy edge of a partial eclipse. They are not quite what we were hoping for. Mostly, my mum balancing on one leg, in swimming costume, extending a ping pong bat on which to reflect the sun and the moon, trying to avoid her own shadow ruining the image, and also trying to avoid melting her eyes in the process. No success was had with the ping pong bat but what we are left with is a brilliant example of my mother's willingness to do anything that might impress her truly geeky daughters. As it is, I much prefer this memory of a blindingly white table-tennis bat to anything else of that holiday. The whole week is characterised by sunflowers and sunshine - nothing even slightly shadowy about it remains. And that's my story of missing a partial eclipse.

Penumbra - Pumpkin Sheepshanks

"The matrix was based on Plato's analogy of the cave, and Plato was only referring to the penumbra..." Steve trailed off, distracted by what appeared to be giant air balloons taking off from trees.
"what the fucks a penumbra" asked Claire, eyes focused through the windscreen on the slowly meandering rain.
"its err, its sir, er" Steve was too troubled with the feeling like he had wet himself but his trousers not being damp.
"fuck it, ill look it up on wiki..." Claires voice faded out as she turned to look in the back of the beat up megane. stretching for her bag, her face was inches away from Toby's as he pulled his head up from the CD case.
"got any tissue?" said Toby, his face lashing with sweat.
"you cant do a line and then blow your nose straight away. its not allowed." said Steve trying to be funny but failing by the lack of laughter that followed. Claire swiveled back to face forward and grabbed her i-phone making a cacophony of sounds in the process. "I cant believe those fuckers brainwashed me into buying their products. Everytime i pick it up i have the music from the advert start playing in my head., why did i get my phone out again?"
"I want to go to the stack." Toby announced, his recently snorted downer having the opposite effect.
"The stack doesn't exist" said Steve matter-of-factly.
"then wheres that douch douch douch coming from then" Claire enquired in a tone that suggested more sobriety than was the case. a face of realisation spread across her face and she stooped into the hunched posture of a smartphone, withdrawn for a moment from the group.
"Even if your convinced the stack doesn't exist, because i think the stack exists it exists in my reality." Toby said in a superior tone of voice, looking smug in the process.
"What about god then, because more people believe he exists than don't believe, he exists in some peoples realities, and even in the ones who don't believe because they form a concept of god in their mind they create a form of god in their reality, even if whats been created is a, er, fuck man i felt like i had a really interesting point." Steve stopped speaking and started looking up to see if he could still see the hot air balloons.
"i kind of get your point, but no, the stack exists." Toby retorted, still smug. the decorative upholstery was small red triangles with bits of green as the detail in a portion of black surrounded by grey. Toby looked at the seat in close detail and decided it was like fractals.
"can someone rack me up a line, I'm almost done" Claire announced, limbering up from her time as a hunchback.
"I want to go to the stack, before it stops existing through Steve's malicious thoughts"
"I love this tune" Steve said, the least surreal statement of his night.
"here it is, something to do with shadows or something, why did you bring this word up?" said Claire.
"it was in context with Plato's analogy of the cave" replied Steve
"what the fucks that about?" asked Toby
"Do you really want me to get into or shall we go have a stomp?" said Steve.
The car made a bleep sound simultaneously with the car door slamming shut, like a little melodic accompaniment to the douch douch douch.

Penumbra - Fargo

MARCUS STOPS HIS CAR OUTSIDE A THE ANGEL PUB IN HACKNEY. ITS RAINING OUTSIDE IN THE DARK OF NIGHT. HE IS LISTENING TO HEROES BY DAVID BOWIE. HE REMAINS SEATED UNTIL THE SONGS CLIMAX. HE SWITCHES THE CAR ENGINE OFF, AND GETS OUT OF THE CAR. HE STANDS AND STARES AT THE PUBS NAME THAT SHINES BRIGHTLY THROUGH THE DARKNESS AND RAIN. HE LIGHTS A CIGAR, AND TAKES A SLOW WALK OVER TO THE ANGEL ACROSS THE ROAD. HE GLANCES THROUGH THE WINDOWS OF THE ANGEL, HE CAN SEE ANDY SITTING AT THE BAR WITH A PINT OF BITTER. MARCUS LOOKS AT HIS WATCH, HE STUBS OUT THE CIGAR AGAINST THE AGED BRICKS OF THE ANGEL. HE WALKS INTO THE PUB AND SITS DOWN RIGHT NEXT TO ANDY. HE TURNS AND SMILES TO ANDY, ANDY LOOKS BUT DOES NOT SMILE BACK. THE BARMAN WALKS OVER.

Marcus
Evening Sir, can I have a scotch if the rocks with a twist please.

Barman
Is that everythin’ ?

Marcus
No actually my good man, I would like to buy the gentlemen to my right whatever he likes.

ANDY LOOKS ON WITH CONFUSION.

Andy
You don’t have to do that.

Marcus
I’m fully aware what I have to and don’t have to do thanks, I want to. And in fact I would consider it a personal insult if you were to repudiate this offer.

Andy
A pint of bitter please..

Marcus
(To the barman)
A pint of your finest ale my kind sir.

THE BARMAN LOOKS AT THE PAIR WITH AN ELEMENT OF ANNOYANCE. AND DRAGS HIS TIRED FEET OFF TO PRODUCE THEIR DRINKS. MARCUS, WHILST WAITING MARCUS TURNS ONLY HIS HEAD WHILST HIS BODY REMAINS JUST AS IT IS, AND HE LOOKS AT ANDY WHILE ANDY JUST LOOKS FORWARD TOWARD THE BAR AND THE DRINKS THE PUB HAS ON SHOW. MARCUS IS SMILING WITH POMPOSITY. THIS REAMINS THE SO, UNTIL THE BARMAN RETURNS WITH THEIR DRINKS, MARCUS THEN LOOKS AT THE BARMAN STILL SMILING, HE REACHES INTO HIS INSIDE POCKET AND PULLS OUT A WALLET WITH CLINT EASTWOODS FACE STITCHED ON THE FACIA , PULLS OUT A 10 POUND NOTE AND LITGHTLY PLACES IT IN THE BARMANS HANDS.

Marcus
Keep the change.

Barman
Cheers boy. (Walks off)

Marcus
(Turning again to Andy)
So, how’s your day been?

Andy
Good thanks, and you?

Marcus
Its been ok, you know same old same old.

Andy
Thanks for the pint.

Marcus
Think nothing of it. If I were you I would enjoy it.

Andy
(About to sip, pauses and looks nervously to Marcus and proceeds to sip)
Oh yeah? Why would that be?

Marcus
There was once a Bald Man who sat down after work on a hot summer’s day. A fly came up and started buzzing about his bald pate, and stinging him from time to time. The man aimed a blow at his little enemy, but his palm came on his head instead; again the fly tormented him, but this time the man was wiser and said:
“You will only injure yourself if you take notice of despicable enemies”
Eddie is a despicable enemy, and you have kept on buzzing, do you have any idea of what I’m talking about?

Andy
Look, I don’t know what you think you know.

Marcus
I know what’s important, and its important that you know that. You have been playing Eddie for a fool, and one thing for certain is a fool Eddie is not.

Andy
I have no idea what your talking about.

Marcus
Now your being facetious, don’t play these games with me sunshine, we know what’s been going on. On the information given to me by our mutual friend is that you have been giving up information , important information that jeopardises Eddies business and his freedom, as you know he considers this a lack of respect and loyalty. And once you loose that, well that’s when things begin to turn ugly.

Andy
I haven’t been giving up information about anything, I don’t know where he has been getting any of this from, but I swear to you I have not done anything like that and never would. You have to believe me, I’m being set up.

Marcus
Its not important that I believe you, its important that Eddie believes you, and this is where I come in. Your gonna finish that pint mate, and finish it quick, then me and you are taking a trip over to Greenwich to the docklands, where Eddie will be waiting for us. Then you can paint your pretty little picture of truth to him.
So drink up my friend, I don’t wish to for you to say anything else to me till we leave, I wanna sit here enjoy my drink in silence. And if there is any funny business, well, you know the rest.

Andy
But…

Marcus
(Interrupts)
Ah, what did I just say.

ANDY SITS, AND THROWS BACK HIS PINT QUICKLY, AND PLACES IT ON THE BAR. MARCUS LOOKS AT HIM AND WINKS. THEN MARCUS NECKS HIS DRINK AND STANDS. GRABS ANDYS ARM AND WALKS HIM OUT OF THE PUB AND OVER TO THE CAR, THE RAIN IS COMING DOWN WITH FORCE, HE SHOVES ANDY IN THE PASSENGER SEAT AND SLAMS THE DOOR SHUT, THEN HE GETS IN THE DRIVERS SIDE, AND STARTS THE ENGINE. HE EJECTS DAVID BOWIES CD AND PUTS ANOTHER IN.

Marcus
You like Johnny Cash

Andy
I fucking hate Johnny Cash

Marcus
Good, then this journey will be that much more unpleasant for you.

JOHNNY CASH TENNESSEE STUD DESCENDS FROM THE SPEAKERS, MARCUS THEN DRIVES OFF INTO THE LONDON EASTEND NIGHT.
MARCUS DRIVES UP A LITTLE DIRT TRACK INTO DESERTED WASTELAND NEAR THE LONDON DOCKLANDS. A CAR IS WAITING WITH THE LIGHTS TURNED OFF. MARCUS STOPS, AND GETS OUT OF THE CAR AND GRABS ANDY OUT OF THE CAR. THEY WALK OVER TO THE OTHER CAR. A MAN WALKS OUT FROM THE SHADOWS, ITS DIFFICULT TO MAKE HIM OUT BUT ITS CLEAR TO ANDY THAT ITS EDDIE. HE WALKS OUT OF THE SHADOWS AND INTO THE LIGHT SHINING FROM MARCUS’ CARS DIRT COVERED HEADLIGHTS AND STANDS OPPOSITE THEM.

Eddie
Hello Andy, I’m sure Marcus has filled you in.

Andy
You could say that. But whatever information your going on its wrong.

Eddie
Ah, really well I better let you go then silly me. (Pause) Come ere!

Andy
Look Eddie I would never give you up, or anyone else for that matter.

Eddie
Come over here, now!

ANDY WALKS OVER MARCUS STAYS WHERE HE IS A LIGHTS UP A CIGAR. AND WITHOUT MARCUS NOTICING EDDIE PULLS A GUN WITH A SILENCER OUT OF THE INSIDE POCKET FROM HIS LONG CLOAK AND HANDS IT TO ANDY. ANDY THEN TURNS AND AIMS IT AT MARCUS, THIS MAKE MARCUS DROP THE CIGAR FROM HIS HAND, AND HE THEN TRIES TO REACH INSIDE IS INSIDE POCKET FOR HIS GUN BUT QUICK AS A CAT ANDY PULLS THE TRIGGER AND SHOOT MARCUS SQUARE IN THE FACE DEAD. ANDY SMILES AND WALKS OVER AND SHOVES MARCUS’ EMPTY SHELL INTO HIS CAR AND POURS PETROL FROM THE BOOT OVER HIS THE BODY OF MARCUS AND SETS IT ALIGHT. ANDY QUICKLY MOVES AWAY FROM THE CAR AS THE FLAMES GROW. HE WALKS OVER TO EDDIE WHO STARTS SUCKING A LOLLIPOP.

Eddie
What a double crossing fuck. Tell me Andy, do you fancy an Indian?

Andy
I would fucking love one.

Eddie
Do you like lollipops?

Andy
I love lollipops Eddie.

Eddie
Here have one. (Hands Andy a lollipop) I know a great Indian, shall we?

Andy
After you sir.

Eddie
You drive, we better get out of here quickly. Incidentally what do you make of the word penumbra?

Andy
(Getting into the driving seat)
Not much sir, whys that?

Eddie
No reason Andy, no reason at all.

FADE TO BLACK.

Penumbra - Beau

I'm a mixed raced kid
Not quite dark and not quite light
I'm the penumbra

Penumbra - Jow Bates

It's the beauty in things that don't happen.

Rain poured down over the ashen spectrum of Chicago's grey streets. Light from a window bled white into the otherwise noir scenery of this living tribute to black cinema. Matthew leaned in against the cold glass window of his office.
"Every night the same." Narrated his internal monologue.
The freestyle jazz bebop of rainfall fixed itself a backing track to the broken transmission of his police radio. Matthew lit a cigarette and poured himself another shot of whiskey.
"Another night without a case."
Unused files littered his desk, coffee stains and spilled ink adorned his work station.
"Nothing." There was no romance in this.

Candles play stars to our world,
Their white light the composer
To the dancing penumbra of this;
Our waking jazz fusion.


Matthew switched the radio over. Bach's Chaconne, the violin solo cut through the soporific night of his office, classical life bled through the stagnant ambiance of broken noir. Shadows danced ecliptic penumbra of freeform ballet across his ceiling.

Cold winds change,
Their scenery agaze,
With all the wonder of the world,
The beauty of the stage.


Matthew sipped his whiskey. "Never a case." His self narration grimly reiterated.
"Never a dull moment."